0000004654 00000 n Use these age-appropriate lessons to guide your students through the process of viewing the filmin its entirety. If teaching in a context with a high proportion of Aboriginal and Torres Strait Islander children, it is imperative that guidance is sought from the Principal and Aboriginal Education Officer (or equivalent) prior to screening the film. 0000003986 00000 n Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. The cheers became boos as football crowds turned on him. They protect and promote human rights in Australia and internationally. As Darling astutely realised, the footage says it all. Available free with ClickVIew subscription at the film website www.thefinalquarterfilm.com.au. [35] The Hawthorn players all wore number 37, Goodes' jersey number, during their warm ups before their match against Sydney on 21 June 2019 in a gesture of support.[28]. You must be logged in to view this form. consider the various ways mood and meaning are created in archival documentaries. Adam Goodes, captain of the Sydney Swans, at the end of the 2012 AFL grand final at the MCG. Explores Australias sporting culture with a focus on race relations and cultural expression. We strongly recommend each unit is delivered in the recommended sequence to achieve maximum impact and understanding of the concepts. Director Ian Darling's documentary The Final Quarter provides a confronting, comprehensive recap of the shameful events that saw Adam Goodes booed into retirement. 0000001644 00000 n Being independent means they are not owned by a major media company. Read for more details. Director's Statement. Topic: Learning Through Film, Social Issues, Indigenous Education, This lesson is part of the wider unit of work: The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10. Screen Australia is not responsible for and does not endorse any Third Party Sites' use, effect or content or any associated organisation, product or service on the third party site. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period, and places it in a wider historical context. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. 0000005252 00000 n Australian Teachers of Media, Cool Australia, and Reconciliation Australia, as well as the Australian Human Rights Commission, and many media organisations and influencers mobilised to support the film. [25] It was shown as part of the 2019 Perth International Film Festival and the Castlemaine Documentary Film Festival, both in July 2019,[26] and aired on Network Ten on 18 July 2019. Explores race relations in Australia and how formal and informal treatment of Aboriginal and Torres Strait Islander peoples impacts upon their sense of belonging. Looks at score and song writing, including analysing lyrics and musical elements. This is what was heard. [28], The documentary was widely praised by critics. The filmmaker's sympathies are not in doubt, though his decision to avoid talking heads - relying instead on contemporaneous television coverage - makes his . We appreciate your feedback. One thing the film used was Mise en scene. Includes investments, loans and grants. Our Watching the Film lessons are designed to support you in facilitating this process. If it was hard to mount that fingers-in-the-ears argument back then, it seems almost impossible now though the peanut gallery of outspoken conservative commentators, who haunt this film like ranting apparitions (among them Andrew Bolt and Alan Jones), are hardly likely to show contrition any time soon. Director Ian Darling joins us to discuss, ://fbiradio.com/ian-darling-yvonne-sampson-last-days-adam-goodes-career/, https://thefinalquarterfilm.com.au/about/. Angles. The Final Quarter - Listening To Community - Years 7-9 We highly recommend that students view the film in its entirety before participating in subsequent lessons. At the centre of a maelstrom, confronted by all kinds of ugly behaviour, the player himself remains composed and eloquent, offering nuanced perspectives. Tracy Bentin is a Child and Adolescent Psychologist who has worked in the education sector since 1997. Unit: The Final Quarter - Watching The Film - Years 5-12 Activities for this Unit Tuning in About the Film Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. 0000003937 00000 n Explores what it means to be Australian, and how we express our individual and collective identities. The fact its ongoing was underlined by an apology to Goodes issued by the sports governing body that directly preceded the films Sydney Film Festival premiere, and another documentary on the same subject is set to open the Melbourne International Film Festival in August. Book unique getaways and adventures dreamed up by our editors. [4] In 2014 he was named Australian of the Year in recognition of his community work supporting Indigenous Australian youth, the efforts of the Go Foundation (co-founded with his Sydney Swans teammate Michael O'Loughlin), and his efforts to combat racism. But this is not some dry academic exercise. 0000091843 00000 n 'The Final Quarter' compiles a selection of opinions from cultural commentators at the time (like Andrew Bolt, Miranda Devine, and Rita Panahi), who present the most common arguments for why people were booing Goodes. Critic Reviews for The Final Quarter. By calling out racism, and by refusing to be put inside a box where the powers that be might have liked him to remain, Goodes unquestionably made life harder for himself. Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community and Country. Registration is fast and free. Failure to call out racism and not standing up for one of our own let down all Aboriginal and Torres Strait Islander players, past and present. offsider Kris Gale chat with Ian and Yvonne about the film which premiered at the Sydney Film Festival, and which uses . Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. To view more detail on relevant specialist units scroll down. 0000062218 00000 n 0000067911 00000 n Investigates our individual and collective responsibility toaddress racism in the community, workplace and school. Evaluate how technical and symbolic elements are manipulated in media artworks to create and challenge representations framed by media conventions, social beliefs and values for a range of audiences (ACAMAR078), Analyse a range of media artworks from contemporary and past times to explore differing viewpoints and enrich their media arts making, starting with Australian media artworks, including media artworks of Aboriginal and Torres Strait Islander Peoples, and international media artworks (ACAMAR079), General capabilities: Literacy, Critical and Creative Thinking, Cross-curriculum priority: Aboriginal and Torres Strait Islander Histories and Cultures (OI.9). ay back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. 0000052832 00000 n Adam Goodes during the 2015 semi-final between the Sydney Swans and the North Melbourne Kangaroos. In July 2019 the NFSA hosted a screening of director Ian Darling's documentary The Final Quarter, about the events that provoked heated public debate and the retirement of champion AFL player Adam Goodes. The Final Quarter opens with a clip of Sam Newman frothing from the mouth and berating Goodes on The Footy Show. understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. (2019). The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect - many of the traditional powers of the motion picture medium (cinematography, for. Darling also makes the point that we can always learn from history whether that history is found in an ancient scroll inside a museum, or via television footage from the old, dark, distant days of 2015. The director of the film, Ian Darling, led the production team in deciding what to omit and what to include from the many televised me-dia segments and newspaper stories available. Paul Kelly wrote the end credit song "Every Day My Mother's Voice" for the film, and won Best Original Song Composed for the Screen, 2019 Screen Music Awards. 0000091357 00000 n Goodes himself recedes as the film goes on and the media barrage continues. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. Despite much of the material being confronting, The Final Quarter is also inspiring, with a message that each of us will be remembered ultimately for two things: what we say and what we do. H\]0+r9s1Mr`na>aVPxH9y^vFujf}:seVM[RY.tqxUs=,14ahz9pQjTM8F{u *M\o[6WuE?K2]Oj(tAIz"]3Cshm[SvYam bgYBv4P !f@sA[h5iiW 4$,I$apw9e:N\Y4||fEp1.3 gi.i4,,,9t:y.#;Gv(9Zt$i5DV90a$IY ~?'y?{}RG}xqLtcYUz~ 3l% endstream endobj 312 0 obj <> endobj 313 0 obj <>stream Darling presents a self-consciously larrikin culture in which the right to provoke is sacrosanct, and perceived pomposity is eagerly sniffed out. A tale of two Adam Goodes films: docos on AFL legend put racism in big picture, AFL club bosses to watch Adam Goodes documentary, Original reporting and incisive analysis, direct from the Guardian every morning. "The Final Quarter" is a 75 minute documentary of archival media footage related to Australian indigenous AFL (Australian Football League) player, Adam Goodes. It's written by acclaimed journalist Stan Grant, and will open the Melbourne International Film Festival before hitting theatres around the country. This film explores the detrimental treatment of AFL star Adam Goodes and the media and community responses. Director Ian Darlings film is crafted using only archival footage aired at the time, which has been expertly edited. Being independent means they are not owned by a major media company. The film 'The Final Quarter' looks at the final years of Adam Goodes' AFL career and the storm that followed. Producers: Mary Macrae, Ian Darling Goodes himself clearly believes this, and his ongoing presence in the film (which he supports but was not involved in) is a balm to the rash of madness around him. They evaluate how social, institutional and ethical issues influence the making and use of media artworks. 52 Victoria StreetPaddington, Sydney NSW 2021, Allens Linklaters and their invaluable pro bono legal support, This website was created with the support of. There are a huge number of techniques that are used in films to convey meaning. 0000011178 00000 n The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. 1. This lesson will be centred around the acclaimed 2019 documentary, The Final Quarter. 2022 Shark Island Institute | PrivacyPolicy. Request an update here. The Final Quarter: Directed by Ian Darling. The spectator, who turned out to be a 13-year-old girl, was promptly escorted from the stands by security, but in the aftermath Goodes was accused of victimizing and publicly humiliating a teenager. Adam Goodes was Australian of the year in 2014. 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Tracy works closely with parents and teachers to support young people with issues such as anxiety, learning needs, depression, confidence, and behavioural challenges. During the last three years of his career, Goodes was named Australian of the Year, accused of staging for free kicks, and performed an on-field war dance celebration. Throughout 2019: worked through social media company 33 Creative to engage with an online audience, maximise positive engagement and manage racist or bullying interaction. Editor: Sally Fryer In addition, 13,000 users accessed the educational resources on Cool Australia and 2,500 watched the film, and the AToM study guide was downloaded 3,507 times. Use the film to educate young people about racial vilification at a grassroots level and continue outreach to ensure The Final Quarter continues to have a long-term and lasting legacy. The Hollywood Reporter is a part of Penske Media Corporation. 0000067425 00000 n We want all Australians to feel they belong and that they have a stake in the game. hbbf`b``3 j endstream endobj 300 0 obj <>/Metadata 23 0 R/Pages 22 0 R/StructTreeRoot 25 0 R/Type/Catalog/ViewerPreferences<>>> endobj 301 0 obj >/PageWidthList<0 595.276>>>>>>/Resources<>/ExtGState<>/Font<>/ProcSet[/PDF/Text/ImageC/ImageI]/XObject<>>>/Rotate 0/StructParents 0/TrimBox[0.0 0.0 595.276 841.89]/Type/Page>> endobj 302 0 obj <> endobj 303 0 obj <> endobj 304 0 obj <> endobj 305 0 obj [341 0 R] endobj 306 0 obj [/Indexed/DeviceRGB 110 335 0 R] endobj 307 0 obj [/Indexed/DeviceRGB 44 334 0 R] endobj 308 0 obj <>stream Way back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. On this Wikipedia the language links are at the top of the page across from the article title. This requires planning among multiple teachers and across specialist streams. The cheers became boos as the crowds turned on him. 0 Qq endstream endobj 309 0 obj <> endobj 310 0 obj <> endobj 311 0 obj <>stream 0000003655 00000 n https://www.theguardian.com/film/2019/may/30/the-final-quarter-review-exhilarating-adam-goodes-documentary-pulses-with-urgency. Students explore the way mood and message is created for the audience by the editor and director. I am referring of course to the final quarter, as it were, in the career of Sydney Swans star. Our Watching the Film lessons are designed to support you in facilitating this process. As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. Check out the trailer for The Final Quarter below: The Final Quarter will release in Australian cinemas later this year. Following the screening, the ABC's Fran Kelly talked with Darling, ex-footballer Michael O'Loughlin and AFL Inclusion and Social Policy Manager Tanya Hosch about the film, Adam Goodes . His response strives to acknowledge the hurt inflicted on Aboriginal peoples without sounding ungrateful for the honor just bestowed upon him, and its the futility of his efforts to tread this line between calling a spade a spade and conciliation that gives his media encounters their sense of discomfort, and of poignancy. The obvious inspirations for Darlings film which is more a work of assembly than construction are the documentaries of British film-maker Asif Kapadia, particularly his rousing 2010 sports film Senna. Goodes took indefinite leave from the game in August of the 2015 season. Cool Australias curriculum team continually reviews and refines our resources to be in line with changes to the Australian Curriculum. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. 0000007435 00000 n Every film uses different techniques to create meaning throughout the film. Unsurprisingly, it's also both moving in displaying the AFL champ's dignified response to such horrors, and infuriating in its thorough examination of his ordeal. Considers how the media influences audience perspectives through the use of language and point of view. The Final Quarter - Making An Archival Documentary - Media Arts - Years 9 & 10 Considering Social Action Students are given opportunities to apply their learning in real world situations, in the classroom, school, home or the local community. trailer <<97663C5A09E14C69BCC8D3AEA1655A53>]/Prev 135910/XRefStm 1644>> startxref 0 %%EOF 346 0 obj <>stream 0000004288 00000 n Documentary Australia acknowledges the Australian Aboriginal and Torres Strait Islander peoples of this nation. So, too, do the boos every time the player steps foot on the paddock, for more than sixteen weeks. 0000003225 00000 n Feedback to date also confirms the transformative nature of the film for students, as well as the powerful capability of the film as a tool for teachers to help their students understand racism and discrimination. how technical and symbolic codes are used by the director of. Adam Goodes was a champion AFL footballer and Indigenous leader. Music, still images and diction-ary definitions have been added to heighten the message of The Final Quarter. The Final Quarter is the best Australian documentary ever made, A powerful work that stirs deep emotions., It is brilliant work, and a must-watch., A compelling, often devastating, documentary, You dont have to care about football for this movie to hit home., Shark Island Institute acknowledges and pays respect to the past, present and future Traditional Custodians and Elders of Country and the continuation of cultural, spiritual and educational practices of Aboriginal and Torres Strait Islander peoples. Honing in on Goodes' last three seasons as an AFL player up until his . 0000001825 00000 n H\Mj0>3ML(d F68*-g[v2wc S uUlqh\2opzqoMpgH*h8^vC.)>PzqC42DYQH_>atwmU#y{m}|,6L |,,BG Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of Indigenous footballer Adam Goodes' playing career. 0000081589 00000 n Adam Goodes was a champion AFL footballer and Indigenous leader. Explore the way mood and meaning are created in archival documentaries of Aboriginal and Torres Strait Islander impacts. Social, institutional and ethical issues influence the making and use of language and of. View more detail on relevant specialist units scroll down using only archival footage aired at the MCG belong that. 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